Discussion: Why Not Manga?

This is a multi-faceted question that could apply to a whole bunch of people (I hope. And I hope they find this question on this blog)

I’ve always felt like anime is more popular than manga, but for reasons I don’t really understand as a very devoted manga reader.

That being said, there are so many reasons why people choose anime over manga, or just fall out reading manga or watching anime altogether. Disinterest in reading, passionate interest in animation, waning interest in manga and its tropes or really just interest in other things are all valid reasons to spend time away from manga.

But I want to hear the nitty, gritty details of why, so please share your answers to your heart’s content.

Posted in comics, Discussion, manga, opinion | Tagged , , , | 19 Comments

Recently Finished Manga

It is with great luck, persistence and a few of my favorite comic book stores’ help that I’ve been able to finish collecting Eagle, Banana Fish, Recipe for Gertrude and Andromeda Stories recently. (Admittedly, I found Andromeda Stories on Right Stuf.)


Andromeda Stories by Keiko Takemiya and Ryu Mitsuse: I was really excited to read Andromeda Stories because I loved To Terra…, but Andromeda Stories fell flat for me and I’m going to blame Mitsuse for it. Accompanying Takemiya’s lovely art is rather poor world building, bad character development and a plot that takes so long to get off the ground it completely forces the story to implode.

The story begins as the Ayodoyan princess, Lilia, marries the Cosmoralian king, Ithaca and gets pregnant. Ithaca starts acting strangely and it turns out he’s been infected by evil machines that want to take over the entire planet. After giving birth, unknowingly, to twins, Lilia flees with her son Jimsa. The evil machines take over Cosmoralia and Ayodoya at the same time and Lilia’s other child winds up with a prostitute.

Prince Jimsa grows up in the desert, protecting his mom. He gets to step into the role of destined rebel prince when a mysterious elder approaches him, but reneges on their partnership when Mommy Dearest is nearly killed. And this is where our hero’s character development screeches to a grinding halt. Lilia, Ithaca, the machines, the Elder and many other supporting characters have no development to speak of, by the way.

In comes Affle, Jimsa’s long lost twin, as the Elder’s replacement for Jimsa, who feels a strong need to protect Affle. Then they fall in love. Then they all finally get off their asses and start trying to fight the machines, but it’s too late and everyone dies.

And that’s how this manga ends, as a beautifully-illustrated incestuous mess. All that build-up, all that “oh, Prince Jimsa/Affle, you were meant to deliver us from the machines” crap and everyone just dies anyway. I am pretty sure this one got cut off by the editors because it was really unpopular with readers. And for good reason, I think. In other hands, Andromeda Stories could have been a romantic epic.

Dear Vertical, can you license something better by Keiko Takemiya next? Pretty please?


Eagle: The Making of an Asian-American President by Kaiji Kawaguchi: It’s terribly interesting to read Eagle as various candidates begin to compete anew for the presidency and as someone who first became aware of politics when the events of the manga take place. It’s also quite interesting how the 2000 election turned out in favor of a white Republican candidate, although a non-white Democrat was elected into the Oval Office less than a decade later.

The story follows a young reporter named Takashi Jo who has been invited to report on the presidential campaign of Kenneth Yamaoka. Jo knows that Yamaoka is his dead beat father and that he may be responsible for Jo’s mother’s death, but Jo decides to trail the campaign anyway.

There’s a lot of high-tension drama in Eagle as Yamaoka struggles to win over American voters and a lot of people who don’t like him. All kinds of politic scandal is thrown out there:  illegitimate children, extramarital affairs, dirty deals, blackmail. You name it, Eagle got it in there. It’s a testament to Kawaguchi’s research that he gets not only the scandal right, but the attitudes of various regions and the true problems that presidential candidates face while trying to win over the people.

And it’s entertaining. The fast pace of the election really helps keep things interesting- because when you look at the bare bones of the story, Eagle is like one of those shounen manga where you fight a foe before they become your friend- as does the romance between Takashi and Yamaoka’s adopted daughter, Rachel.

At the same time, it’s such a sadly idealistic manga to be reading today, especially post-9-11. As a young adult, I’m not sure I could believe an idealistic candidate like Yamaoka, assuming he was running nowadays. Even if I voted him into office, I wouldn’t expect him to be able to get anything done. Still, it rekindled my interest in the stories tha happen during the presidential elections. Perhaps I shall look forward to the upcoming one just a little bit more.


Banana Fish by Akimi Yoshida: No sooner did I put down the final volume of Banana Fish than I began to cry a little. Not too many manga have done that to me! This 19 volume series starts out about the titular mind control drug, but becomes more and more about the main character Ash. His struggle to gain independence from all the cold-blooded evil in his life is more than a little intense. Ash is the leader of a number of New York City gangs, and is set to inherit a powerful position in the Italian mafia as head of the Union Corse. There’s so much violence, rape and killing, you can barely believe this is a shoujo manga.

Since the majority of the characters in the book are male, the aforementioned rape ranges from secret pedophilia clubs to jail gang bangs. Luckily, it’s only alluded to and not shown, but it’s all a large part of the yaoi influence in this series. It’s also a huge motivation for Ash to move the story along as he wants to destroy the head of the Union Corse, Dino Goldzine, who is his adoptive father, pimp and tormentor.

Another bit of yaoi influence is in Ash’s relationship with Eiji Okumura, a Japanese photographer’s assistant visit Japan to chronicle New York City’s dangerous gang members. Eiji winds up getting caught up in the violence, but because if it, he forms a deep bond with Ash. They aren’t lovers, soul mates is a much better word, but they can’t really stand to be separated for long.

The story ends in the final volumes with a whirlwind of violence and trying to outsmart the enemy, which is quite the emotional buildup because Ash has almost nothing whereas Papa Goldzine has billions of dollars at his disposal. The ending also strays very far from the original premise of the series, with only brief mentions of Banana Fish. But it’s so entertaining you hardly notice the story has gone off on a tangent, never to return.

Banana Fish is well worth tracking down for the impact of the whole story.


Recipe for Gertrude by Nari Kusakawa: I’ve read a few of Kusakawa’s series now and I have to say that Recipe for Gertrude is her weakest. There’s nothing particularly wrong with the story, except that the two main characters, Gertrude and Sahara, are rather uninteresting and the most interesting thing that happens to them is that they fall in love. Sadly, Kusakawa never puts enough emphasis on this romance and the reader finds little other reason to relate to them.

Far more interesting are the side characters, Mariotte and Puppen, two demons who become attached to Gertrude, as well as a demon librarian. All three have quirks that Gertrude and Sahara totally lack, something that becomes obvious when you read short stories about them in the final volume.

Normally, I would be all for a little less emphasis on romance in a shoujo manga, but this isn’t the the way to go about it. I suggest reading some of Kusakawa’s stronger series like Two Flowers for the Dragon. (Which is also out of print due to DC shutting down CMX.)

Happy reading!

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Discussion: How Do You Feel About Kickstarter Manga?

Well folks, despite the closure of Bandai Entertainment and the downsizing of Media Blasters, there is some good news for manga in the early weeks of 2012!

Yesterday, Digital Manga Publishing announced a new Kickstarter campaign to finance the publication of the mature Osamu Tezuka manga, Barbara. Now, about 24 hours after its launch, the campaign has already made more than half of its goal in pledges. I think it’s already safe to say that Barbara is going to be published, even though the Kickstarter is 29 days away from completion. I guess it just goes to show you how popular Osamu Tezuka is becoming in America.

It also brings up an important question: Is this the new way to publish manga? So far only DMP has wandered into this new territory, but I think other publishers might not be too far behind. Heck, I thought of the idea of financing manga on Kickstarter well before the first DMP campaign started for Swallowing The Earth, another Tezuka title. Not that I’m trying to take credit for anything, but if I was thinking about it, you can bet someone else in the manga publishing biz (not just DMP) was thinking the exact same thing.

Of  course, this model makes a lot of sense, especially in a time where manga publishers are  keeping a tight grip on their purse strings. A publisher can essentially say to its fans, “Hey, do you want this?” with little financial consequence. Readers vote yes or no with their dollars and by helping the publisher with viral marketing. Just think about how many tweets, blog posts, etc. that excited manga fans (like me) have sent out to help ensure that the manga they want gets published. It’s a very democratic system of publishing.

So, how do you feel about Kickstarter manga? Do you not want to have to pay for more than the manga? (As you often have to do with these Kickstarter campaigns, although you do get bonuses.) Do you even want to have to vote for your manga? There are a lot of manga readers out there that aren’t connected to the online manga community at all, is it fair that they don’t get to have a say? I’d love to hear any and all thoughts and concerns.

There are a lot of questions posed by Kickstarter manga. Obviously, I think the result is mostly positive and allows fans to have more of a voice in manga publishing. I look forward to seeing what happens next with this business model and what other publishers choose to employ it.

If you want to learn a bit more about Barbara, Deb Aoki has an excellent post about the manga and the Kickstarter campaign at About.com.

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Life of a (Rookie) Editor: Firing Clients

I have tried very hard not to write ranty or whiny blog posts about the challenges I face as a freelance editor. Let me tell you, they are many and the temptation is great, but this isn’t a personal blog. But this time, I feel like there is a lesson to be learned from the whiny rant I want to post, so I’ll try to keep the annoying parts out and stick to important stuff.

I love being a manga editor. When I get work in and I’m 90 pages deep into a tankobon, I couldn’t be happier. Even when I get rush work and I’m crying because I’m so stressed out, I come out of it feeling so content that the product of my hard work will be on shelves in a matter of months.

I HATE being a freelancer. Having to invoice people, then having to chase down my clients when they don’t pay me on time, never having enough work on my plate, constantly trying to find new clients and waiting for a big break or a full-time job to put me out of my misery. If it was possible, my new year’s resolution would be to give up freelancing for 2012. But then I’d only have a job at my mom’s travel business and I only work there four days a month.

Luckily, since legit freelance manga editing jobs are hard to come by, the following story about having to fire a client is not about a manga publisher. Actually, all my manga publishing clients are really decent folks who usually pay me on time, the occasional glitches aside.

I got this client, we’ll call them Client D, after Tokyopop shut down because I needed something to start filling that gaping hole in my income. I was actually really excited to work with Client D because I really connected with my managing editor and because it wasn’t manga-related work, which would allow me to branch out into other areas of editing.

In June, the first month I worked for them, they sent me lots of work and I accidentally invoiced them too much because I was editing their articles like I edit books: over and over and over again. That was not what Client D wanted, but they kindly told me that they’d pay me the invoiced amount anyway since they were pleased with my work.

The next month, I got into the swing of things, but they sent me approximately half of the work they sent me the month before. Things still looked promising though, because Client D was telling me about other kinds of work they wanted to give me. This time, there were no problems with the amount of the invoice I sent them.

In August, I had to hassle them about paying that first invoice because it was agreed upon that Client D would pay me within 30 days of invoicing. Yup, Client D had already failed to honor our agreement on my first invoice to them. They did pay me by the end of the month, about 60 days after invoicing, but I had gotten less work from them that month too.

I inquired about more work in September, but was told they didn’t have any. Realizing I had forgotten to invoice my August work in October, I promptly invoiced them and also inquired about why I hadn’t been paid already for my July work.

Another month passed, with e-mail exchanges that promised me I would get paid for my work soon, but no actual payment coming my way and no more new work from Client D. I finally got my July invoice paid in December after harassing their poor accountant, who was probably freelance herself. (She assured me that Client D always paid, but I had to tell her that getting them to pay me was like pulling teeth.)

Now it’s January and I’m still waiting on a mere $90 from October, 2011. Because Client D is a small business, I can understand why they are keeping their copy-editing in-house right now and not sending me more work. I haven’t hassled them about that. What I don’t understand is why it’s taken Client D so long to pay me for work I’ve already done for them and why they think it’s OK to just keep forgetting.

So I fired them as politely as I could. I did like working for them when times were good, and my contacts had been as kind as possible to me when times weren’t so good, but it was clearly time to part ways.

I realized a few things as I did this, though. It’s ethically wrong to stiff freelancers out of their hard-earned money. Chances are, especially in this economy, that money is needed to put food on the table. A freelancer’s precious time is wasted if they don’t get paid.

It can be easy to feel like the clients are the masters, but they aren’t. One of the beauties of freelancing is that one can turn down clients and turn down work when one wants to. Ideally, this only happens when a freelancer has too much on their plate already. Well, ideally, clients treat freelancers like any other hard-working employee who earns their paycheck! If that’s not the case and the paycheck isn’t coming on time, it’s time to let go.

Posted in Discussion, manga, opinion | Tagged , , | 5 Comments

New Tumblr: Ladies in Comic Book Stores

Happy 2012, everyone!

Instead of writing to you about manga, for the first post of the new year, I went and started a new blog on a different platform: Ladies in Comic Book Stores.

Don’t worry, All About Manga isn’t going anywhere. I just felt I had to start this tumblr blog in order to truly chronicle the impact of this proposition I made a few weeks ago. (And activism is always a feel-good way to start a new year.) The fact that some guys in fandom, especially some guys who make important decisions when it comes to the contents of comics, see women as an insubstantial part of the fandom kind of pisses me off. So, I wanted to put a face to the ladies and I wanted to show off just what they bought.

Only my picture’s up there at the moment, but over the next few days I’ll be posting the initial snaps I took at Meltdown Comics in Los Angeles this past Wednesday.

If you’d like to submit a pictures of women buying comics -or women working in comic book stores- and their purchases, here are the submission guidelines.

Thanks for your continued support!

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The 2011 Great Manga Gift Guide: Roundup #2

Well, it’s Christmas Eve, so I think that warrants the end of the 2011 Great Manga Gift Guides and thus, a wrap-up post.

Linda came up with a wonderful gift guide for manga that has stood the test of time and  that you wouldn’t want to buy digitally because the printed versions are so awesome at AnimeMiz’s Scribblings.

Seichan provides gifts for every kind of CLAMP fan, even the uninitiated, over at CLAMP*NEWS.

Kristin writes puts together a well-rounded gift guide of manga she’s read this year for ComicAttack.net.

Finally, I wrote my traditional Great Shoujo Manga Gift Guide, although this year it could be called the Great Shoujo and Other Awesome Manga Written By Women Manga Gift Guide.

If we’re missing anyone’s gift guides, I’ll be more than happy to add them to this post and to the archives. Just send me a link!

I have to admit that I could have been a better host this year instead of getting distracted by personal stuff, so maybe that’s the reason why we got so few Great Manga Gift Guides this time around. Perhaps next year, the tradition should be passed on to a new host. Anyone interested?

That said, I hope everyone has a Happy Hanukkah and a Merry Christmas! Hope you get all the gifts you really want!

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A Proposition for My Fellow Lady-Geeks

Over the course of the weekend, I read this interesting article on Kotaku about Nerds and Male Privilege. You should read it through, if you haven’t already, before continuing to read my post here as it makes a lot of great points that are relevant to what I’ll say below.

I had two separate discussions on Facebook about this Kotaku article this weekend that will lead us to my proposition. One was very heated, off-topic and weird; the other was mostly with a man who had his heart in the right place, but was still kind of the belief that there wasn’t much to be done about sexism and male privilege in comic book and gaming fandom. (We’ll limit this to those two fandoms for now, since that’s what the article focuses on too.)  The aforementioned man did suggest one thing, however: shaming and ostracizing those who act like total assholes towards lady-geeks just because they’re ladies

And that, dear readers, just seemed so wrong to me. Aside from the fact that I subscribe to the belief that every little good deed counts towards making the world better, male privilege isn’t good, but it isn’t a crime akin to murder. What needs to happen more than punishment is re-education of offending male geeks and the normalization of lady-geeks within fandom. The first goal is a bit lofty, since not every guy is open to the idea of letting go of male privilege, so let’s see if we can achieve the second.

I would like to propose a plan, a sort of a movement: Place at least two women in comic book shops or video game stores on new release days, during different peak hours of business. Have them buy at least one comic book or game while in the store. (No large chain stores like Barnes & Noble, preferably, as those are usually not a meeting place for community geeks. Game Stop would work since it only sells games.) They should be alone or with other women who are also buying comics or games. No boyfriends, husbands or male friends, preferably, unless the woman is able to buy more than the men she is with. Whenever possible, have the women talk to the other geeks in the store. Do this with as many comic book or video game stores out there as possible. Repeat each week on new release days. In other words, lets make it so that men see women in these stores all the time.

The goal of this plan being: while women insert themselves visibly in the fandom, the men will gradually meet us on equal ground as geeks, instead of as ladies first and geeks second. That male geeks will stop thinking that we have no passion for or knowledge of our fandom, or that it’s just something our boyfriends got us into. Perhaps, if we’re lucky, the guys will re-educate themselves as the gals become a stronger part of the geek community.

Now that you’re done reading the proposition and its goals, I just want to tell you right now that this is not a discussion about whether or not some men in comic book and gaming fandom are being assholes to ladies. Why? Because the answer is yes. We all know it’s happening. Geeks are famous for being mostly male and acting weird towards women. Thankfully, this isn’t all the guys in fandom, but even those who think they are respectful towards women might not realize they do some disrespectful stuff sometimes.

Also, I’ve come to realize that discussion is somewhat worthless on this topic, as most of the discussion is dominated by men who are miffed that they’re being singled out like this. Some of them don’t even care that they’re being sexist to ladies. To me, that is a call to action. Time for female geekdom to step out and show the other half of the geek population that we aren’t in the comic book and game stores to be stared at. We are here to participate. To buy geeky stuff alongside other geeks.

Can this actually happen? I don’t know. I’m just a writer for one measly manga-related blog and I know that even putting two ladies in every comic book store in the U.S. and Canada wouldn’t totally eradicate sexism and male privilege in fandom. But I’ll be doing this, alternating between Meltdown Comics in L.A. and Comics, Toons and Toys in Orange County each week. (Due to work stuff.) Even if I can only change the opinion of a few male geeks in my local community, that’s worth it to me.

Let me know if you have any questions, concerns, suggestions or if you’d just like to join this movement so I can track numbers and which stores are being visited.

Note: This movement might not be for every woman. If you have been scarred by past visits to comic book or game stores, no one here will make you go back if you don’t want to. The basic idea is just to take change out of the hands of men and bring it into the hands of geek women who are sick of the sexism and want to change things.

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